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Floodland, a dark and gloomy gothic fantasy tale where horror, mythology and the occult play head-on with twisted emotions and disturbing erotisism. Partly a love story, partly an apocalyptic elegy, and partly a grotesque portrait of corruption and evil Floodland is a poetic saga where the surreal mixes up with reality in a dystopic universe not necessarily very different from our own. Each drawing is a part of the tale as a whole, and they are now beeing developed into graphic novel books. This last year a significant part of Floodland has involved gigantic walldrawings freehand drawn directly onto the walls like temporary drawing stunts. This drawing practice is very similar to those of the older east-asian masters of ink drawing, where the zen-aspect of controlling the line with precision in one single hand movement is a central part of the drawing practice. In his walldrawings Høie is interested in the physichal experience of the monumental size, and how it amplifies the escapistic as well as the expressive aspects of his images.
View wall drawings of the series
  
The new book BLACK HEARTS DAWNING out now on Liminious Feror
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"This series of works are consistently staying inside the field of portraiture and the figurative, but aren't really portraits of spesific or existing persons. They are rather focusing on a mental and emotional underlying content. You could therefore think of them as portraits of states of mind. During the working process the artist manipulates the pictures by mixing and putting together parts of different photographs, with elements from the nature or by drawing directly from his head. Not by using photoshop, but by using free hand drawing."
In his portraits Johannes Høie finds interest in outsiders and certain vaguely defined youth communities one can find in the western world, both in urban and rural localities. There is a harsness treated into the soft colourpencil shadings wich conjures strong intensity and emotions. An ambiguity and discomfort occurs in those opposites, but also in the subtle absurdity Høie puts into his images. The expressional qualities of drawing is the main focus in this series and how the expressional can communicate in subtle and profound ways on to the viewer. In this there is narrative potential wich is redeemed in manic details and the emphasis of the characthers, their facial expressions, their clothing and cultural codes.
View work from the series
CVContact: johanneshoie@gmail.com (+47) 414 04 362
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